Michael Dean, Having you on, BALTIC Centre for Contemporary Art, Gateshead, 2018
1 of 91

Goldsmiths College, London, United Kingdom

Solo Shows

Museo Rufino Tamayo, Mexico City, Mexico (upcoming)
Having you on, BALTIC Centre for Contemporary Art, Gateshead, UK
Analogue LOL, ShanghArt Gallery, Shanghai, China
Four Fucksakes, Herald St | Museum St, London, UK
Teaxths and Angeruage, Portikus, Frankfurt, DE
Sightings: Michael Dean, Nasher Sculpture Center, Dallas, USA
Michael Dean: Sic Glyphs, South London Gallery, London, United Kingdom
Stamen Papers, Fondazione Giuliani, Rome, Italy
The Stamp of anything or that part which never bears leaves or reproductive organs, ordinary underneath and descending, and to absorb, but often upon, often from other parts, often serving other functions, though morphologically comparable,
Mendes Wood DM, São Paulo, Brazil
Look at them fuck them fucking laughing, Supportico Lopez, Berlin, Germany
Qualities of Violence, De Appel, Amsterdam, Netherlands
(Untitled), Extra City, Kunsthal Antwerp, Belgium
Ha Ha Ha Ha Ha Ha, Ludwig Forum für Internationale Kunst, Aachen, Germany
Dans l’attente d’autre chose (meanwhile, this is it), Aimable, Paris, France
Sharing Space, with Fred Sandback, David Zwirner, Londres, United Kingdom
The introduction of muscle, Arnolfini, Bristol, United Kingdom
Sounds of Fucking, Sounds of Dying, Mendes Wood DM, São Paulo, Brazil
nnnhnnh nnh nnhnnnhu nnhnhn, Pied-à-terre, San Francisco, United States
Hah Ahahahahaha ha Hahaha, Herald St, London, United Kingdom
Thoughts, Cubitt, London, United Kingdom
Government, Henry Moore Institute, Leeds, United Kingdom
Architecture of a mother’s arms, Supportico Lopez, Berlin, Germany
Cope, Herald St, London, United Kingdom
State of being apart in space, Kunstverein, Freiburg, Germany
Acts of Grass, Serpentine Gallery, London, United Kingdom
Latvia Our Daily Permanence, Fruit, Flowers and clouds: MAK, Austrian Museum of Applied Art, Vienna, Austria
Our Daily Permanence, Nomas Foundation, Rome, Italy
The look of touch, Lorcan O’neil, Rome, Italy
Face, Supportico Lopez, Berlin, Germany
Symmetry of Intimacy, Laing Art Gallery, Newcastle, United Kingdom
The Floor is the Object, INDEPENDENT, New York, United States Tolerance, Scaramouche, New York, United States
V, Ancient & Modern, London, United Kingdom
Near to no attention to fears and without anything between the opposite of tears, works|projects, Bristol, United Kingdom
Her body in the same place as my body, Alessandro De March, Milan, Italy
You cant reflect in the distance and you don’t reflect distances towards you closing, Feurig59, Berlin, Germany
All the trees bend this way, Guestroom, London, United Kingdom

Group Shows

Skulptur Projekte Münster 2017, Münster, DE
More Than Just Words [On the Poetic], Kunsthalle Wien, Vienna, AT
Neither. , Mendes Wood DM, Brussels, Belgium
Zeno X Gallery, Antwerp, BE
Tudo Joia, Bergamin & Gomide, São Paulo, Brazil
Turner Prize, Tate Britain, London, United kingdom
Pierre Guyotat: La matière de nos oeuvre, Galerie Azzedine Alaïa, Paris, France
The Registry of Promise: The Promise of Literature, Soothsaying and Speaking in Tongues, De Kabinetten van de Vleeshal, Middelburg, The Netherlands
The Library Vaccine, Artist Space, New York, USA
The Word Today Serves No One Except To Say To The Grocer Give Me A Pound Of Lentils, Supportico Lopez, Berlin, Germany
Mirror City, Hayward Gallery London, London, UK – Curated by Stephanie Rosenthal
Itself Not So, Lisa Cooley, New York, USA – Curated by Rachel Valinsky
Essential Loneliness, Taylor Macklin, Zurich, Switzerland – Curated by Nikola Dietrich
The Mystic Gardener, Bonnefanten Hedge House, Maastricht, The Netherlands – Curated by Paula van den Bosch (in collaboration with Maurice van Valen)  
Till the stars turn cold, S1, Sheffield, UK – Curated by Laura McLean-Ferris & Kyla McDonald
Le musée d’une nuit (script for leaving traces), Propos d’Europe 13, Fondation Hippocrène, Paris, France – Curated by Vincent Honore (Diretor, DRAF)
Manners of Matter, Salzburger Kunstverein, Salzburg, Austria – Curated by Chris Sharp
A Thousand Doors, Gennadius Library, Athens, Greece – Curated by Iwona Blazwick OBE
Everything is About to Happen (An ongoing archive of artists’ books), Corvi-Mora and Grengrassi, London, UK – Curated by Gregorio Magnani
Annals of the Twenty-Ninth Century, Wysing Arts Centre, Cambridge, UK - Curated by Gareth Bell-Jones
To continue. Notes towards A Sculpture Cycle, Nomas Foundation, Rome, Italy – Curated by C. Canziani e I Gianni
Bard girls can fly, White Flag Projects, St. Lois, USA – Curated by Matthew Strauss
Mediating Landscape, Sala Murat, Bari – Curated by flip Projects
Sister Sara's Theme, Prism, Los Angeles, USA
A History of Influence, Palais de Tokyo, Paris, France
Taktilitet, Nils Staerk, Copenhagen, Denmark
The Camera's Blind Spot, MAN Museum, Sardinia, Italy
Disappearing into one, Zabludowicz Collection, London, United Kingdom
Pale Ontology, Marc Foxx, Los Angeles, USA
From Stavanger with love, Galleri Opdahl, Stravanger, Norway
Accidentally on Purpose, QUAD, Derby, United Kingdom
Soundworks, Institute of Contemporary Arts, London, United Kingdom
A Reader of Materials and a Writer of Forms, MOT International, Brussels, Belgium
The Dan Cox Library for the Unfinished Concept of Thingly Time, A project by Andy Holden, Cubitt, London, United Kingdom
Beyond the Fragile Geometry of Sculpture, De Vleeshal, Middelburg, Netherlands
We Will Live, WE Will See, Zabludowicz Collection, London, United Kingdom
Two Figures in Dense Violet Night, with Becky Beasley, Lido Projects, St Leonards-on Sea, United Kingdom
A Fire in the Masters House is Set, Chapter, Cardiff, United Kingdom
Hieroglyphos, Galerie Micheline Szwajcer, Antwerp, Belgium
Friendship of the Peoples, Simon Oldfield Gallery, London, United Kingdom
Bold Tendencies, London, United Kingdom
Young London, V22, London, United Kingdom
Nothing Personal, Marcelle Alix, Paris, France
Part of the Process 4, Zero, Milan, Italy
No colour in your cheeks unless the wind lashes your face, IOP, United Kingdom and France Mind Games, China Art Objects, Los Angeles, USA
They Dying Artist, Institute of Contemporary Arts, London, United Kingdom
The Daily Exhaustion: The Exhibition of Artist Publications, The Future, Berlin, Germany
Volume One: Props, Events and Encounters, The Hub, Athens, Greece
The Concrete Show, Galleria Franco Noero, Turin, Italy
Undone: Making and Unmaking in Contemporary Sculpture, Henry Moore Institute, Leeds, United Kingdom
Our Blindsides (with Becky Beasley), Laura Bartlett, London, United Kingdom
V, (with Andrew Lord), Ancient and Modern, London, United Kingdom
Syndrome, Le Magazin, Grenoble, France
Zero Budget Biennial, Rokeby, London, United Kingdom
Fade into you, Herald St, London, United Kingdom
Les Sculpture Meurent Aussi, Kunsthalle Mulhouse, Mulhouse, France
Chasm, The Dictionary of Received Ideas, London, United Kingdom
Sculpture Also Dies (Les Sculptures Muerent Aussi), Kunsthalle Mulhouse, Mulhouse, France
On Paper, Wendt and Friedmann Galerie, Berlin, Germany
Fallen, Jan Mol, London, United Kingdom
The young On Paper, Wendt and Friedmann Galerie, Berlin, Germany
Punctuation Marks: text and language in modern British sculpture, Leeds City Art Gallery, Leeds, United Kingdom
The young people visiting our ruins see nothing but a style, GAM Museum of Modern Art, Turin, Italy
A Corpes & a Textes, La Galerie, Noisy-Le-Sec, Paris, France
Sculpture Show, Eastside Projects, Birmingham, United Kingdom
Black Sun, Souterrain, Berlin, Germany
Rehearsal Room, FormContent, London, United Kingdom
Intervention/Decoration, Foreground Projects, Frome, United Kingdom
Italia Italie Italien Italy Wlochy, ARCOS Museum of Contemporary Art Sannio, Benevento, Italy
The mythology of everyday matters, Bilton Centre for Contemporary Art, Red Deer, Canada
Your ramp my slide, FormContent, London, United Kingdom
Yours, T293, Naples, Italy
This is the time (and this is the record of the time), E-Static, Turin, Italy

The Paul Hamlyn Foundation Award for Visual Arts

Curated by Fernanda Brenner
Michael Dean The Stamp of Anything or That part which never bears leaves or reproductive organs, ordinarily underneath and descending, and serving to absorb, but often upon, often from other parts, often serving other functions, though morphologically comparable.
Michael Dean Sounds of Fucking, Sounds of Dying
Now Leaves Michael Dean
Michael Dean: Selected Writings Michael Dean
An Introduction to the Principles of Symmetrical Intimacy Vol. I / Michael Dean And The Authors Michael Dean